| 翻訳と辞書 |
| Souvenirs de Munich ： ウィキペディア英語版 |
Souvenirs de Munich
''Souvenirs de Munich'' is a quadrille on themes from Wagner's ''Tristan and Isolde'', for piano, four hands by Emmanuel Chabrier.
==Background==
Chabrier’s interest in Wagner dated from 1862, when as a study exercise he copied out the score of ''Tannhäuser''.〔Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999.〕 In early 1880 he requested time off from his ministry job to visit Munich that March with Duparc and other friends to go to a performance of ''Tristan und Isolde'' as it could only be seen there. The experience was a musical revelation for Chabrier.〔Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973.〕 Chabrier, as assistant to Charles Lamoureux, helped in the rehearsals for the concert performances in Paris of Act I (1884) and Act II (1885) of ''Tristan und Isolde''.〔
However, much as he admired the music of Wagner, he was still able to create musical parodies of the German composer. Chabrier regularly improvised works of this kind at the piano; Delage describes an evening dinner at the home of Lamoureux where an improvisation on themes from ''The Ring'' enraged von Bülow.〔 Poulenc described Souvenirs de Munich as "irresistibly funny", where Wagner's principal themes appear with "false beards and fake moustaches".〔Poulenc F. ''Emmanuel Chabrier''. La Palatine, Geneva & Paris, 1961.〕
The exact date of the creation of Souvenirs de Munich is unknown, but it probably dates from 1887.〔 Possibly with Offenbach's satire ''Le musicien de l'avenir'' in mind, it led to Fauré and Messager's 'Souvenirs de Bayreuth' in similar vein.〔Howat R. ''The Art of French Piano Music.'' Yale University Press, 2009.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「Souvenirs de Munich」の詳細全文を読む
スポンサード リンク
| 翻訳と辞書 : 翻訳のためのインターネットリソース |
Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.
|
|